2009 - Celebration of a collection “Les Masques” part 4
2009 - Celebration of a collection “Les Masques”
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- Summary
- Vacheron Constantin Métiers d’Art “Les Masques”
- 2009 - Celebration of a collection “Les Masques” part 2
- 2009 - Celebration of a collection “Les Masques” part 3
- 2009 - Celebration of a collection “Les Masques” part 4
A collection cannot be hurried. That is why the Métiers d’Art “Les Masques” collection is a story that has unfurled over time. Every year for three years – 2007 to 2009 – a boxed set of four different masks has been presented in a limited series of 25.
A complete set of the twelve timepieces reproducing the twelve masks – from the limited edition of 300 exceptional timepieces – is being unveiled at the Metropolitan Museum of Art in New York at an exhibition sponsored by Vacheron Constantin and called “A Legacy of Collecting: African and Oceanic Art from the Barbier-Mueller Museum, Geneva” in tribute to Jean Paul Barbier-Mueller.
A work of Art in miniature
Each timepiece is equipped with the automatic Calibre 2460G4 movement, made by the manufacture and bearing the prestigious Poinçon de Genève. Thanks to this very special movement, the time can be read without any hands: by means of a set of wheels and gears, four discs indicate the hours, minutes, day and date in windows, leaving the centre of the dial empty for the masks to be placed there and for the craftsmen to give free rein to their creativity.
The movement was completely redesigned to receive the masks; even though time is the raison d’être here, the masks are the focus of attention and had to be put in the spotlight. To ensure that they were, the team of designers decided to virtually conceal the movement. A clever technique using transparency and specially-treated glass creates the impression that the masks are floating. Each sapphire crystal has a different tint, obtained by a unique metallisation process, so that it sets off the colour of the mask. The effect is breathtaking: the miniature sculpture seems within reach, a silent guardian of ancestral secrets.
Finally, it required all Michel Butor’s talent to give voice, if not life, to the masks. His magnificent words, short poems in prose dedicated to each mask, circle the sapphire dial in letters of gold. The writer’s lines follow each other in a spiral that seems to have no beginning and no end, a mysterious message that can only be read when the light strikes it from a certain angle. This effect is achieved by vacuum metallisation, a sophisticated technological process in which the gold letters are sprayed onto a sapphire crystal. Thanks to the multiple play of light and transparency, the watch has secrets that it will only ever share with its owner.